All the oil paintings of Bernardo Strozzi

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ID	Image	Painting(From A to Z)	Details
43095		A Personification of Fame	mk170 1635-1636 Oil on canvas 106.7x151.7cm
29070		Allegory of the Arts	mk65 ca.1640 Oil on canvas 60x55"
3730		An Allegory of Fame	National Gallery, London
32532		Bernardo Strozzi, Joueuse de viole de gamb	mk79 1635
91968		Concert	c. 1630/31 Medium oil on canvas Dimensions 118.7 X 170.4 cm (46.7 X 67.1 in) cjr
29124		Detail of The Healing of Tobit	mk65 Detail
68770		Die eitle Alte	Medium Oil on canvas Dimensions 135 X 109 cm
72086		Die eitle Alte	c. 1625 Oil on canvas 135 X 109 cm (53.15 X 42.91 in)
73616		Die eitle Alte	Date c. 1625 Medium Oil on canvas Dimensions 135 X 109 cm (53.15 X 42.91 in) cyf
51310		Gamba Player	c. 1635 Oil on canvas, 126 x 99 cm
86382		Holy Family with St. John the Baptist	1600(1600) Medium Oil on canvas Dimensions 112 x 87 cm (44.1 x 34.3 in) cyf
96919		John the Baptist	circa 1600(1600) Medium oil on canvas Dimensions 112 X 87 cm cyf
87846		Leinwand	Oil on canvas Dimensions Deutsch: 125 x 99 cm cyf
3729		Lute Player	1635 Art History Museum, Vienna
70760		lutspelare	cirka 1635 pa duk 76x92cm se
95758		Madonna and Child with the Young St John	circa 1620(1620) Medium oil on canvas cyf
95759		Portrait of a Knight	circa 1640(1640) Medium oil on canvas cyf
81882		Portrait of a Maltese Knight	first half of 17th century Medium Oil on canvas cyf
95760		Portrait of Cardinal Federico Cornaro	circa 1640(1640) Medium oil on canvas cyf
93219		Portrait of Claudio Monteverdi in Venice	1640(1640) Medium oil on canvas cjr
51309		Prophet Elijah and the Widow of Sarepta	1630s Oil on canvas, 106 x 138 cm
96877		Saint Antony of Padua holding Baby Jesus	circa 1625(1625) Medium oil on canvas cyf
81920		Saint Cecilia	Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr
92650		Schlafendes Kind	Date Deutsch: nach 1607 Medium oil on canvas Dimensions 35 X 47 cm (13.8 X 18.5 in) TTD
95761		St John the Baptist	between 1615(1615) and 1620(1620) Medium oil on canvas cyf
51312		St Maurice and the Angel	c. 1635 Oil on canvas, 82 x 101 cm
95762		St Roch	circa 1640(1640) Medium oil on canvas cyf
96134		The Adoration of the Shepherds	between 1616(1616) and 1618(1618) Medium oil on canvas cyf
40417		The Cook	mk156 c.1620 Oil on canvas 177x241cm
95763		The Cook	circa 1625(1625) Medium oil on canvas cyf
29123		The Healing of Tobit	mk65 ca.1635 Oil on canvas
70642		The Healing of Tobit	Medium Oil on canvas Dimensions Expression error: Missing operand for *158 ?? 224 cm
20492		The Holy Family with John the Baptist (mk05)	Canvas,32 1/4 x 41''(82 x 104 cm)Allocated to the Louvre in 1950
96036		The Madonna of Justice	between 1620(1620) and 1625(1625) Medium oil on canvas cyf
29975		The Portrait of the Wedding Guest	mk67 Oil on canvas 50x74 11/16in Uffizi
95944		The Release of St Peter	1635 Medium oil on canvas cyf
69904		The Release of St. Peter	oil on canvas painting by Bernardo Strozzi, , Art Gallery of New South Wales
83795		The Viola da Gamba Player	c. 1630-1640 Oil on canvas 125 x 99 cm cjr
33580		Vanitas Allegory	mk86 c.1635 Oil on canvas 132x108cm
21528		Vanitas Allegory (mk08)	c.1635 Oil on canvas 132x108cm Bologna,Private collection
32566		Woman at the mirror	mk79 About 1635-1640

Bernardo Strozzi
1581-1644 Italian Bernardo Strozzi Galleries Strozzi was born in Genoa. He was probably not related to the other Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest). Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30). After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.